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U.S. Ambivalence about Torture: An Analysis of Post-9/11 Films

By Dr. Stephen Soldz

BGSP graduate Dr. Jean Rahbar has just published a paper in the online film journal Jump Cut that was based on her dissertation research in BGSP’s doctoral program on Psychoanalysis, Society , and Culture. She investigated post-911 American Iraq war films in which torture by Americans or their allies is depicted in order to  gain insight into the ambivalence of American audiences toward torture.

We asked Dr. Rahbar to write a brief description of her research:

I began my research project examining the nature of American ambivalence about torture in 2011. What I learned was that Americans were able to metabolize their guilt surrounding the topic of American involvement in torture through a third individual who passively participates in the torture while he/she simultaneously objects to the human rights violations occurring before him/her. On the one hand, we are a pro human rights country, while on the other, horrific acts of abuse have occurred and continue to occur by American hands. This led me to wonder how torture, specifically torture in post 9/11 Iraq War Films, would be portrayed on screen and if I could gain any insight into the nature of American ambivalence about the topic.

Through the persistent nature of a third American individual whom I call the “observer,” Americans watchers can maintain their disgust in regards to human rights violations, while passively participating in it and reaping the benefits of torture (i.e. garner supposed information that could potentially save lives).

This third position also allowed for a number of psychoanalytic mechanisms to be employed, affording Americans the privilege of being freedom loving individuals who can deny their own aggression while gaining any of the supposed benefits that come with torturing another individual.

Her complete paper, U.S. Ambivalence about Torture: An Analysis of Post-9/11 Films, can be read here.

One thought on “U.S. Ambivalence about Torture: An Analysis of Post-9/11 Films

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